Name: Lost Time: Lectures on Proust in a Soviet Prison Camp (New York Review Books Classics) (en Inglés)
Price: 20540.00 CLP
Availability: InStock
Author: Jozef Czapski
ISBN: 9781681372587

portada Lost Time: Lectures on Proust in a Soviet Prison Camp (New York Review Books Classics) (en Inglés)

Formato

Libro Físico

Editorial

Random House Usa

Autor

Jozef Czapski

Año

2018

Idioma

Inglés

N° páginas

128

Encuadernación

Tapa Blanda

ISBN13

9781681372587

N° edición

N/A

Categorías

Discuros

Lost Time: Lectures on Proust in a Soviet Prison Camp (New York Review Books Classics) (en Inglés)

Jozef Czapski (Autor) · Random House Usa · Tapa Blanda

Libro Físico

$ 20.540

$ 34.230

Ahorras: $ 13.690

40% descuento

Envío normal

Origen: Reino Unido (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Lunes 29 de Abril y el Viernes 03 de Mayo.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "Lost Time: Lectures on Proust in a Soviet Prison Camp (New York Review Books Classics) (en Inglés)"

The first translation of painter and writer Józef Czapski's inspiring lectures on Proust, first delivered in a prison camp in the Soviet Union during World War II.During the Second World War, as a prisoner of war in a Soviet camp, and with nothing but memory to go on, the Polish artist and soldier Józef Czapski brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s masterpiece, sketched major and minor characters in striking detail, and movingly evoked the work’s originality, depth, and beauty. Eric Karpeles has translated this brilliant and altogether unparalleled feat of the critical imagination into English for the first time, and in a thoughtful introduction he brings out how, in reckoning with Proust’s great meditation on memory, Czapski helped his fellow officers to remember that there was a world apart from the world of the camp. Proust had staked the art of the novelist against the losses of a lifetime and the imminence of death. Recalling that triumphant wager, unfolding, like Sheherazade, the intricacies of Proust’s world night after night, Czapski showed to men at the end of their tether that the past remained present and there was a future in which to hope.